Movies to see this weekend…….
1. The Pilgrim’s Progress
King Street Pictures proudly presents an epic new fantasy adventure film inspired by the world of John Bunyan’s classic tale “The Pilgrim’s Progress.” In a war between the Northern and Southern Kingdoms of Eos, a regal man named Vangel is thrust on a journey against his will when he is suddenly and mysteriously arrested. Brought before the Southern King and sentenced to death, Vangel escapes a chain gang and flees for the North. Armed with a book called the Record of the Ancients that he receives from a wise sage, Vangel embarks on an adventure that takes him through haunted forests, dark swamps, and enchanted mountains while being hunted all the while by the Southern King’s men in hot pursuit. Along the way, mysterious travel companions with special giftings arise and assist him on the journey, sharing about a fabled good king and pushing him onwards towards the Wicket Gate, the gateway to the North, while enemies lurk at every corner trying to derail him from his path.
2. The Boss Baby
Seven-year-old Tim Templeton has always been a boy of an overactive imagination, and for the past seven years, life was all peaches for him, getting all the love and affection from his caring parents. However, life will never be the same and Tim won’t be the centre of attention anymore as the arrival of an improbable new brother named Boss Baby, dressed in a black suit complete with a tie and a briefcase, will shortly rob him of all love, as he takes over the whole Templetons’ house. Nevertheless, although this may be true, soon, Tim and the new Boss in a diaper will need to put differences aside and join forces, as a sneaky scheme involving the head of Puppy Co. threatens to tilt the balance of power towards their insidiously adorable furry antagonists, not to mention that the next Pet Convention is in only two days.. Brothers, hurry up. Written by Nick Riganas
3. The Book of Henry
Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single suburban mother Susan Carpenter works as a waitress at a diner, alongside feisty family friend Sheila. Her younger son Peter is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan’s older son Henry, age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother – and, through investments, of the family as a whole – Henry blazes through the days like a comet. Susan discovers that the family next door, which includes Henry’s kind classmate Christina, has a dangerous secret – and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it. Written by Focus Features
Frank Adler (Chris Evans) is a single man raising a child prodigy – his spirited young niece Mary (Mckenna Grace) in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when the seven-year-old’s mathematical abilities come to the attention of Frank’s formidable mother Evelyn (Lindsay Duncan) whose plans for her granddaughter threaten to separate Frank and Mary. Octavia Spencer plays Roberta, Frank and Mary’s landlady and best friend. Jenny Slate is Mary’s teacher, Bonnie, a young woman whose concern for her student develops into a connection with her uncle as well. Written by Fox Searchlight Pictures
5. Get Out
Be it the early sight of a car pulling up alongside an African-American man, or a photo of an angry dog being held on a tight leash, the color white spells doom in Jordan Peele’s social-commentary horror hit Get Out—albeit ultimately in unexpected ways. Surrounded by his white girlfriend Rose’s (Allison Williams) Obama-loving family and their friends during a weekend getaway at their rural estate, Chris (Daniel Kaluuya) finds himself increasingly uncomfortable, especially after a series of encounters with fellow African-Americans (the household’s staffers, a young boyfriend of a much-older white woman) make him suspect that something is scarily amiss. The story’s climactic revelations are indebted to The Stepford Wives, Invasion of the Body Snatchers, and Rosemary’s Baby, and yet are given a fresh of-the-moment twist by Peele’s razor-sharp script, which cleverly locates the means by which liberals’ pro-black attitudes function as a type of appropriation-esque intolerance. As impressive as its racial-dynamics critique, however, is its formal dexterity; from its malevolent pacing to its terrifying imagery (especially of “The Sunken Place”), Peele’s directorial debut is a first-rate cinematic nightmare.